Graphic design, video editing, and motion that make your brand impossible to ignore.
We design graphics and edit video that grab attention and drive action — social content, ads, motion graphics, and brand assets crafted to perform, not just to look pretty.
From a single campaign to an always-on content engine, we deliver on-brand creative fast, so your marketing never runs out of fuel.
Paid performance lives or dies on creative long before it depends on targeting. We design in volume and in variants — different hooks, formats and angles against the same offer — because you cannot know in advance which one lands.
Everything is built to platform spec rather than resized from one master: 9:16 for Reels, TikTok and Stories, 4:5 for feed, 1:1 where it still applies, with safe zones respected so the UI never sits over your message.
Editing is where footage becomes a story. We cut for pace and retention — the first three seconds decide whether anything after them is seen — then handle colour grading, audio levelling and the finishing that separates professional from homemade.
We work from whatever you have: professional shoots, phone footage from your team, screen recordings, or stock. Long-form gets cut down into the short-form variants that feed your channels for the following month.
Motion earns attention that static cannot. Animated logo stings, kinetic type, lower thirds, transitions and UI animation give even a modest production a premium finish.
For products that are hard to photograph — software, services, abstract ideas — animation is often the clearest way to show how something works, and it never needs a reshoot when the product changes.
An explainer earns its cost when it shortens the sales conversation. We script first, because the writing is what makes it work, then storyboard, then produce — live action, animation or screen capture, whichever suits the subject.
Product demos, onboarding walkthroughs, and customer story videos all follow the same rule: show the problem the viewer recognises before showing the product.
Decks, one-pagers, brochures, proposals, reports and trade show material — the unglamorous assets that carry a surprising amount of your sales process, and usually the ones assembled fastest and worst.
Print files are supplied production-ready with correct bleed, colour space and stock recommendations, so the printed piece matches what you approved on screen.
Rather than returning for every small asset, most teams are better served by a system: editable Canva or Figma templates covering the formats you publish most, locked to your brand so they cannot drift.
Alongside them we build the reusable pieces — icon sets, illustration styles, chart and data-visualisation styles — so everything your team produces still looks like it came from one place.
Campaign-by-campaign creative leaves gaps, and gaps are where performance decays. A monthly retainer gives you a predictable flow of fresh assets and a standing testing cadence against what is currently working.
You get an agreed volume, a clear turnaround, and a running record of which creative performed — so production compounds into knowledge instead of restarting each quarter.
Creative aimed at an Australian audience needs to read as local, and needs to meet local obligations. Both are easy to get wrong when production happens offshore.
Local spelling, idiom and humour. Australian audiences notice imported copy immediately, and it costs you credibility.
Burned-in and SRT captions as standard — most social video is watched on mute, and captions also support your obligations under the DDA.
Comparisons, testimonials, pricing and "before and after" treatments checked against Australian Consumer Law before they go live.
Properly licensed audio and footage for commercial use in Australia — no takedowns, no muted ads, no copyright claims.
Creative planned around EOFY, an Australian summer Christmas and local seasonality, not a northern hemisphere content calendar.
Feedback goes to the editor who cut the piece, so notes get actioned properly instead of looping back misunderstood.
The highest-volume brief we get: a steady stream of hook and format variants, because ad creative fatigues in weeks.
Explainers and screen-capture demos for products that are impossible to photograph, plus UI motion and launch assets.
Lesson editing, slide and workbook design, and the promo cuts that sell the course from the course itself.
Listing and walkthrough edits, development launch films, floorplan graphics and agent personal-brand content.
Announcement and lineup creative, sponsor packages, on-site signage and the recap edit that sells next year.
Culture and day-in-the-life video, role cards and careers-page assets that attract candidates worth interviewing.
Thumb-stopping posts, stories, and paid ad creative built to convert.
Polished edits for ads, reels, explainers, and product demos.
Animated logos, titles, and effects that add premium polish.
Decks, one-pagers, brochures, and print that look on-brand.
Icons, illustrations, and templates your team can reuse.
Reusable templates so you can scale content consistently.
Bold, distinctive creative that earns a second look in a crowded feed.
Every asset looks unmistakably yours across every channel.
A steady flow of fresh creative to keep your marketing fed.
“Eleven bags that all looked the same now read as a family, and customers can tell the origins apart on the shelf. Wholesale conversations stopped being only about price.”3.1× average order value
“Four venues that had each drifted into their own look now connect as a group, and our teams update the seasonal menus themselves without a designer.”+64% booking growth
“Three years of acquisitions had left us with four logos and four tones of voice. Sales now assembles a pitch from a system instead of rebuilding a deck by hand every time.”4 sub-brands unified
Social reels, paid ads, product demos, explainers, testimonials, and event recaps — with motion graphics and captions as needed.
Absolutely. We work from your brand guidelines (or help create them) so every graphic and video is unmistakably on-brand.
Yes — many clients use a monthly retainer for a reliable, always-on stream of social and ad creative.
It depends on volume, complexity and whether you need one-off pieces or an ongoing flow. A single explainer, a monthly social package and a full campaign production are very different jobs. We scope it on a free strategy call and send a fixed written proposal.
Social and ad creative is typically 2–4 business days. Video edits usually run 3–7 days depending on length and how much motion work is involved. Retainer clients get an agreed standing turnaround, and we will always tell you up front if something will not make a deadline.
Yes, and we prefer to. Send the guidelines, fonts and asset library and everything we produce will match. If you do not have guidelines yet, we can build them first so future creative stays consistent.
Final exports in every format and aspect ratio you need, plus editable source files. Video comes with SRT caption files alongside burned-in captions, and print files are supplied production-ready.
Always. Most social video is watched with sound off, so captions are not optional if you want the message to land — and they widen your reach to viewers who are deaf or hard of hearing.
Yes. We source and license audio and footage cleared for commercial use in Australia, and hand over the licence records — so there are no takedowns, muted ads or copyright claims later.
Book a free strategy call and we'll map out exactly how Graphic Design & Video Editing can move your numbers — no pressure, no obligation.